![]() "But then over time, I acclimated and was able to sort of see things in those spaces, partly that my imagination invented." "At first I was unsure if I would be able to even recognize everything that I was seeing, because in some of these homes there would be just a lot of objects kind of smushed together," she says. And one of my primary goals is to achieve some level of understanding, however small. When we watch reality TV shows there can be judgment that comes along with it and a lack of understanding. She started by taking extensive notes on the episodes for a year and half. "And one of my primary goals is to achieve some level of understanding, however small."įor the poems in Hoarders, Durbin achieved this in part by spending a lot of time with the show. "When we watch reality TV shows there can be judgment that comes along with it and a lack of understanding," she says. The artist's wariness came from knowing that the audience is not often well-positioned to fully understand the subjects of the show. "So I was both drawn to writing about the show and also resistant to it." "My family experiences mental illness, hoarding, and substance use," Durbin says. Inspired by the A&E television series of the same name, the book is a collection of poem-portraits that focus on individuals and the objects they hold on to. The company also cited returning series Money Heist (69 million views) and Sex Education (55 million) and limited series Maid (a projected 67 million) in its earnings report, along with feature films Sweet Girl (68 million), The Kissing Booth 3 (59 million), German horror movie Blood Red Sky (53 million) and animated family film Vivo (46 million).Why do people hoard things and what do the things they hoard say about them?Īrtist and poet Kate Durbin explores this relationship between people and their stuff in her third book of poems Hoarders, out now. The 142 million figure represents two-thirds of the 213.56 million global subscribers Netflix reported in its earnings. Internal documents cited in the story say Squid Game would create nearly $900 million in value for the company despite costing only $21.4 million to produce, and that two-thirds of the Netflix users who started the series finished it within 23 days.Īs for Squid Game, Netflix says the series racked up 142 million views over its first 28 days of release, smashing all previous records at the streamer. The previous high for any title was 99 million views for the Chris Hemsworth action movie Extraction among series, it was 82 million for Bridgerton. The switch comes on the heels of a Bloomberg report last week that featured more detailed viewing and financial data than Netflix usually shares for individual titles. The company switched to the two-minute standard with the fourth quarter of 2019 prior to that, it counted any member account that completed 70 percent of a movie or 70 percent of a single TV series episode as a view. The change in viewing metrics the company publicly shares is the second in as many years for Netflix. ![]() Netflix also says it will “more regularly” release hours-viewed counts “so our members and the industry can better measure success in the streaming world.” ![]() “It also matches how outside services measure TV viewing and gives proper credit to rewatching.”Īdam Sandler's Sean Payton Movie Turns Bounties Suspension Into Family Comedy ![]() “We think engagement as measured by hours viewed is a slightly better indicator of the overall success of our titles and member satisfaction,” the shareholder letter reads. In the streamer’s third-quarter letter to shareholders, Netflix says that in the future it will report total hours viewed within 28 days of release, rather than the two-minute “view” metric it’s used for the past couple of years. Netflix again touted the runaway success of Squid Game in its quarterly earnings report - while at the same time saying it will change the way it publicly reveals viewing data.
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